Biography

Closer Poster
Closer ( 2004) | IMDb: 7.2
A love story about chance meetings, instant attractions, and casual betrayals. Four strangers - with one thing in common: each other.
What Planet Are You From? Poster
What Planet Are You From? ( 2000) | IMDb: 5.6
A human-looking alien from a highly advanced but emotionless all-male society is sent to Earth to impregnate a woman and bring the child back to their planet. The alien ends up falling in love there. A suspicious F.A.A. Agent targets him.
Primary Colors Poster
Primary Colors ( 1998) | IMDb: 6.7
In this adaptation of the best-selling roman à clef about Bill Clinton's 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician's colorful world and looks on as Stanton -- who has a wandering eye that could be his downfall -- contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.
The Birdcage Poster
The Birdcage ( 1996) | IMDb: 7.2
Middle-aged gay life partners, Armand Goldman, a Jewish drag club owner, and Albert, the club's flamboyant star attraction, live in the eclectic community of South Beach and have raised a straight son. Now, their newly engaged son, 20-year-old Val, wants to bring his fiancée, Barbara, and her ultraconservative parents home to meet his family for the first time. By Val's request, Armand pretends to be straight, not Jewish and attempts to hide his relationship with Albert, in order to please Barbara's father, controversial right-wing Republican Sen. Kevin Keeley.
Regarding Henry Poster
Regarding Henry ( 1991) | IMDb: 6.7
Respected lawyer, Henry Turner survives a convenience-store shooting only to find he has lost his memory, and has serious speech and mobility issues. After also losing his job—where he no longer 'fits in'—his loving wife and daughter give him all their love and support.
Postcards from the Edge Poster
Postcards from the Edge ( 1990) | IMDb: 6.7
Substance-addicted Hollywood actress, Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother's shadow, and who still treats her like a child. Despite these and other problems, Suzanne begins to see the funny side of her situation, and also realises that not only do daughters have mothers—mothers do too.