Eduardo Gómez Movies: Top 8 Performances by a Successful Actor

Entre lobos (Among Wolves) tells the remarkable story of a poor country boy named Marcos, who at the age of 7 is handed over to his father's employer, a rich landowner, who in turn delivers him to a life of labor with a hermetic goatherd in an isolated valley. The old man, who lives in a cave, is unused to human company and at first seems not very interested in having a live-in apprentice. The boy, who was abused by his parents, is frightened and equally aloof initially. Despite this, the shepherd begins teaching Marcos how to herd the goats, as well as how to care for himself and how to survive in the wilderness by trapping and fishing.

Large doses of humor, ingenious nods to Spain's most recent national cinema, an artistic cast highly linked to comedy and a high reserve of surprises constitute the ingredients of this crazy comedy: Spanish Movie.

A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation's top executives decide to hire the most incompetent detective they can find to act as her bodyguard.

A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.

Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

Nino and Bruno are two comedians who reach the heights of success with their duo act, turning them into huge TV celebrities. However, the hate between them grows fast, as much as their fame.

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?